Specimen
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Bona Nova
A quick brown fox jumps over the lazy dog.
adhesion
Sweet Pomelo
نص عينة باللغة العربية
Трэцяя сесія Генеральнай Асамблеі
παραδοσιοκρατία
magnam laudantium nulla
1988-07-01 12:54:11
Hutnicza 74A, 37-042 Stalowa Wola
Emil Chmielewski
Paragraph
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BonaNova-Regular
BonaNova-Italic
BonaNova-Bold
BonaSforza-Light
BonaSforza-Regular
BonaSforza-Bold
BonaTitle-Regular
BonaTitle-Italic
BonaTitle-Bold
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MISS WHITE’S STORY

The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.

He listened without interruption as the story unfolded itself.

Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.

It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.

styles
Nova Regular
Nova Italic
Nova Bold
Sforza Light
Sforza Regular
Sforza Bold
Title Regular
Title Italic
Title Bold
About

Bona Nova is a project for the digitization of the Bona typeface, designed in 1971 by the creator of Polish banknotes, Mr. Andrzej Heidrich. Our aim, in addition to giving it a digital form, is to expand the existing set of characters, develop small caps, alternative characters, and many typographic functions. In collaboration with the author, two new work variations – Regular and Bold – were created to give Bona the form of a classic triad. The finished family is distributed under an open license. The whole is complemented by six display variants – Bona Sforza.

Mateusz Machalski

Co-founder Type Designer
Branding Expert

+48 666 356 584
mateusz@capitalics.wtf